Review
by Willard Manus
Arturo OFarrill
went around the world to put together his latest album, VIRTUAL BIRDLAND.
Defying the obstacles of the pandemic, he got socially-distanced musicians
based in the USA, Morocco, Kuwait and Europe to work together remotely
but harmoniously on this album.
OFarrill, whose last CD, Four Questions, was reviewed
a year ago in Lively Arts (and was nominated for a Grammy),
plays piano and conducts The Afro Latin Jazz Orchestra here, joined by
a dozen guests who know and admire his music. The result is a dynamic
and inspiring album, one that is a tribute to the human spirit and to
the power of jazz.
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VIRTUAL BIRDLAND kicks off with Gulab Jamon, a blending of
Indian and Spanish melodies which was written by OFarrill and delivered
by his 25-piece orchestra in joyous, fiery fashion. Then Malika Zarra
sings a Moroccan tune called Pouvoir (power, in French). Zarras
soaring vocal is heard over drum work that suggests a North African wedding.
It goes on from there, eight more tunes featuring the likes of Paquito
DRivera (on alto), Boom Diwan (five Mid-East percussionists), Richard
Miller (guitar), Everton Isidoro and Gustavo Di Dalva (playing such exotic
instruments as the cuica, pandeiro and atabaque). Musnt forget the
Kuwaiti, Ghazi Faisal Al-Mulafi, singing and playing guitar on Ana
Mashoof.
VIRTUAL BIRDLAND finishes with a roof-raising version of Tito Puentes
Para Los Rumberos, arranged by Jose Madera. It will make you
get up on your feet and dance your blues away.
(Zohomusic.com)
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