L.A. Opera´s 2004-2005 Season Concludes On A High Note |
REVIEW By Willard Manus Los Angeles
Opera concluded its 2004-2005 season with productions of two perennial
favorites, Richard Strauss' DER ROSENKAVALIER and Verdi's FALSTAFF, starring
the Welsh bass-baritone, Bryn Terfel. |
Helnwein and Burrett drenched the stage in various colors--blue for the first act, gold and yellow for the second, red for the tempestuous third act. The makeup, masks and costumes (200-odd) were color-coordinated accordingly, resulting in one astounding stage image after another, some reflecting commedia dell'arte, others pantomime, Dr. Seuss, Baroque, Rococco, God knows what. The total effect was truly unique, even unforgettable--but came with a price. The opera itself was overwhelmed, the singers too, buried under the weight of excessive creativity. An opera should be dominated by its composer and singers, not its backstage "helpers." FALSTAFF
was another feast for the eyes, thanks to Hayden Griffin's sets, Michael
Stennet's costumes and Rick Geyer's wig & makeup designs, which helped
turn Bryn Terfel, the Welsh bass-baritone, into the bibulous, life-loving
Shakesperean rogue, Sir John Falstaff. |
FALSTAFF was Verdi's last opera, written when he was eighty, but its music sounds as if it had been composed by a young man. Light, energetic, even bubbly, it is packed with joy and humor, poignancy too, particularly in its closing moments when Verdi bids farewell to Sir John and salutes him for his humanity and frailty. FALSTAFF's other roles were sung appealingly by Kallen Esperian and Milena Kitic (the Windsor wives), Jane Henschel (the bawdy Mistress Quickly), Celene Shafer and Daniil Shtoda (the impassioned young lovers), Vassily Gerello (Ford), Greg Fedderly (Bardolph), Dean Peterson (Pistol) and David Cangelosi (Dr Caius). Kent Nagano conducted both ROSENKAVALIER and FALSTAFF with his customary skill and grace. For Los Angeles Opera tickets & information, call (213) 972-8001 or visit losangelesopera.com |