Albert Herring |
Review
by Willard Manus L.A. Opera
followed Verdi with Benjamin Britten, whose comic chamber-opera ALBERT
HERRING was given a sprightly and vivacious production at the Music Center.
Composed in 1947, the opera pokes fun at the puritanism and hypocrisies
of a 19th century English market town. Lady Billows (Janis Kelly), the
rich grand-dame of the village, has decided to revive the local May Day
Festival whose queen was supposed to epitomize chastity and innocence.
When no local lass could fit the bill, a shy, timid young lad, Albert
(Alek Shrader) was picked in her place, much to his dismay, of course. |
ALBERT HERRING
is peopled with raffish characters, such as the Mozartian housekeeper,
Florence Pike (Ronnita Nicole Miller, in a bravura performance); the Vicar
Gedge (Jonathan Michie), Miss Wordsworth, the head teacher (Stacey Tappan);
the town mayor (Robert McPherson); and the police chief (Richard Bernstein).
These stuffed shirts were counter-balanced by a trio of irreverent working-class
ragamuffins (Caleb Glickman, Erin Sanzero, Jamie-Rose Guarrine). |
Conductor James Conlon and director Paul Curran combined to give the opera a delightfully blithe touch. Performances were splendid and Britten's 65-year-old score sounded fresh and appealing, especially when it was underscoring Albert's defiant coming of age as a man. (Los Angeles Opera, 135 N. Grand Ave. 213-972-8001 or laopera.com) |