The Barber Of Seville |
Los
Angeles Review by Willard Manus The laughter rang out loudly and repeatedly during the course of L.A. Operas current production of THE BARBER OF SEVILLE, thanks to the Marx Brothers-like antics of the castand to Renata Shussheims outrageous costumes. These comic elements, when combined with the superb singing of Elizabeth DeShong, Rene Barbera, Rodion Pogossov, Alessandro Corbelli and Kristinn Sigmundsson, made for a crowd-pleasing evening. Directed by Trevore Ross and Emilio Sagi (artistic director of Teatro Arriaga in Bilbao), this revival by L.A. Opera of its 2009 production was also greatly aided by James Conlons masterful conducting of Rossinis score. His love for the musicin a program note he confides that it was a first hearing of BARBER that made him want to become a classical musicianlit up the orchestra and inspired it to play at peak level throughout. |
photo: Craig T. Mathew/LA Opera |
The singers, led by the mezzo-soprano DeShong as Rosina, the beautiful young ward of Doctor Bartolo (Corbelli), were in fine voice as well. Feeding off the laughter and Rossinis immortal tunes, they threw themselves into the opera buffa story, singing and acting with unflagging gusto and brio. The capacity audience rewarded them with roars of approval and affection. |
photo: Craig T. Mathew/LA Opera |
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