The Marriage Of Figaro
     
Los Angeles Review by Willard Manus

L.A. Opera’s concluding production of Pierre Beaumarchais’ Figaro trilogy, THE MARRIAGE OF FIGARO, has been seen before at the Music Center (in 2004 and 2010), winning critical plaudits and audience appreciation each time. The same can be said for the current showing, thanks to the inspired singing of Robert Tagliavini (Figaro), Ryan McKinney (Count Almaviva), Pretty Yende (Susanna), Renee Rapier (Cherubino), Guanquin Yu (Countess Almaviva), Kristinn Sigmundson (Doctor Bartolo) and Lucy Schaufer (Marcellina). All of these performers were in good voice at the Music Center, capturing all the pathos and humor of Mozart’s immortal score.
    

photo: Craig T. Mathew/LA Opera

    
Director Ian Judge set the production in 1930s Spain, a decision which was somewhat problematic. Tim Goodchild’s set design, cavernous interiors which dwarfed the singers, was equally off-putting, but thanks to the splendid work of conductor James Conlon, the music that poured out of the pit made those reservations seem insignificant.

Above all, the night belonged to the singers, each one of whom was not only in fine voice but managed to bring his character to life in lusty, captivating fashion.
    

photo: Craig T. Mathew/LA Opera