The Magic Flute |
Los
Angeles Review by Willard Manus With its devilishly clever mix of live performance with animation, L.A. Operas new production of Mozarts THE MAGIC FLUTE was a ground-breaking visual delight, a cartoon that both young and old could enjoy. |
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First mounted at Komische Opera Berlin by director Barrie Kosky (who also helmed the L.A. version), the production was mostly conceived by 1927", a British media company headed by Suzanne Andrade and Paul Barritt, two lovers of revue, vaudeville, music hall, silent film and other similar forms of theatre. It was they who not only animated THE MAGIC FLUTE but made the decision to dress the characters up like early movie stars. Which is why Papageno (Jonathan Michie) resembled Buster Keaton, Monostatos (Brenton Ryan), Nosferatu, and Pamina (Marita Solberg), Louise Brooks. What a hoot to see those silent-film icons singing one aria after another in German. They did it while mostly standing in one place while the animated world of THE MAGIC FLUTE swirled all around them, filling the stage of the Chandler Pavilion with its visual wizardry. Fairy creatures, trailing streams of musical notes, represented Taminos magic flute; pink elephants in giant cocktail glasses helped quench Papagenos thirst; little red bells suddenly morphed into showgirls. And when there were scene changes, inter-titles (with piano accompaniment) substituted for bridging dialogue, thereby simplifying and speeding up the story. |
photo: Craig T. Mathew |
(Music Center, 135 N. Grand Ave. For tickets and information, call 213-972-8001 or visit laopera.org) |