La Clemenza Di Tito |
Los
Angeles Review by Willard Manus Mozart's
second-to-last opera, LA CLEMENZA DI TITO, was recently given a splendid
production by Los Angeles Opera Company. Directed and designed by Thaddeus
Strassberger, conducted by James Conlon, the opera had never been done
at the Music Center before, but that didn't keep the company from backing
it with all its resources. |
A top-notch cast was assembled: Russell Thomas as Titus, Emperor of Rome; Guangun Yu as Vitellia, daughter of the deposed Emperor; Elizabeth DeShong as Sesto, a young Roman patrician (sung by a castrato in Mozart's day); Janair Bruggert as Servilia, Sesto's sister; Taylor Raven as Sesto's friend; and James Creswell as Publio, captain of the guard. These singers handled the vocal challenges of opera seria with impressive ease and beauty. Equally impressive was the stagecraft: a gilded proscenium-within-a-proscenium set, fiery lighting effects (Rome burning), video projections of Italian paintings, a representation of the Roman Senate, etc. When dazzling costumes and realistic props (body armor, swords, tablets) were added to the mix, an ancient world sprang to life before our eyes. |
L.A. Opera
has scheduled two operas for May and June. EL GATO MONTES: THE WILDCAT,
by Manuel Penella, will be performed May 4-19. Then Verdi's LA TRAVIATA
will revisit the Music Center from June 1-22. |