The Constant Wife |
REVIEW by Willard Manus Somerset
Maugham's 1927 play, THE CONSTANT WIFE, gave the theatre world a new kind
of heroine in Constance Middleton (Ann Hearn), a woman we would today
call a feminist. Married to a successful Harley Street doctor (Richard
Hoyt Miller), she not only tolerates his love affair with her best friend
Marie-Louise (Gina Torrecilla) but actually believes it's a good idea,
one that will help make her wedded life happier and more successful. Freed
from the distracting passions of the flesh, she can concentrate on being
a good companion and nurturer, with time left over to become a businesswoman
as well. She'll also be a better daughter, sister and friend--in short,
a happy, well-adjusted human being. |
Maugham delivers his sly, bracing message of female emancipation with considerable wit and style, as befits the British drawing-room comedy tradition. Featuring a superb, Broadway-like set by Jeff R. Rack and scintillating costumes by Elizabeth Huffman, THE CONSTANT WIFE is a pleasure to look at. The play has been well served by the Theatre 40 company, especially by director Bruce Gray and his nine-person cast (which also includes Mary Gregory, Wayne Thomas Yorke, Jackie Maruschak, Kathrine Bates, Gordon Thomson and Duane Robin Young). |
Reuben Cordova Theatre, 241 Moreno Drive, Bev. Hills. Call (310) 364-0535 or visit Theatre40.org |