The Mogao Caves
    
Feature by Willard Manus
 
LOS ANGELES – The J. Paul Getty Museum at the Getty Center has put together a remarkable exhibition of Buddhist cave temple art.

CAVE TEMPLES OF DUNHUANG: BUDDHIST ART ON CHINA’S SILK ROAD

celebrates more than 25 years of collaboration between the Getty Conservation Institute and the Dunhuang Academy in northwest China (bordering the Gobi Desert). The latter organization sent dozens of artists and technicians to the Getty to help construct three replica caves which were then decorated with exquisite sculptures and wall paintings dating from the 4th to the 14th centuries. To step into these full-sized caves is to be transported back in time to when the Silk Road, the main trade route linking East and West, teemed with traders, merchants, workers, camels, government officials and artists of various nationalities and religions.

The dominant religion in that part of China was, of course, Buddhism. Which is why each of the five hundred caves of Mogao had a Buddhist motif. Carved out of sandstone hillsides, the caves offered spiritual as well as physical sustenance: not only could one escape the blazing heat here, but meditate, pray and be edified as well.

In Cave 275 stands an immense sculpture of Maitreya Buddha, flanked by two lions. His beaded jewelry, folded garments and textile patterns reflect Dunhuang’s connection to Central Asia. On the right wall panel is a pictorial story of King Moonlight, who was so virtuous and generous he gave away his own head! On the upper part of the left and right walls are carved niches which resemble Chinese gateways with tiled roofs and adjacent watchtowers.

Cave 285 is a replica of the earliest dated cave at Mogao. On the right wall are two inscriptions dating its creation to 538-539 CE. On either side of the inscription are rows of patrons who, as a group, subsidized the cave and its decoration. On either side of the central Buddha is a sculpture of a meditating monk. The Hindu god Shiva, a black figure holding aloft the sun and moon, is to the right of Buddha. Chinese mythological beings dance and prance across the pyramidal ceiling.

Cave 320 exemplifies the artistic brilliance of the High Tang period (705-781 CE). The left and right walls depict Pure Lands, blissful paradises where devotees sought to be reborn. The pyramidal ceiling has a hand-painted peony design surrounded by colorful tent hangings and, on the four slopes, a multitude of Buddhas.

The cave temples of Dunhuang are a UNESCO World Heritage Site. Thanks to the Getty, we don’t have to journey to the Gobi Desert to visit them.

The other Fall exhibits at Getty Center include: UNRULY NATURE, THE LANDSCAPES OF THEODORE ROUSSEAU; LONDON CALLING: BACON, FREUD, KOSSOFF, ANDREWS, AUERBACK AND KITAJ; THINGS UNSEEN: VISION, BELIEF, AND EXPERIENCE IN ILLUMINATED MANUSCRIPTS; DRAWING: THE ART OF CHANGE and THE ART OF ALCHEMY.

Call 310-440-7300 or visit getty.edu for information and tickets. The TTY line for the hearing impaired is 310-440-7305. The Getty Center is located at 1200 Getty Center Drive.